Nicki Minaj strips with breast and ass endowed friends in a lap dancing club.

She has a track record of sporting a series of outrageous outfits on stage and on her music videos.

And Nicki Minaj doesn't disappoint when it comes to her latest musical effort.

The 29-year-old rapper is seen getting down and dirty in a lap dance club in her new provocative video

The singer bared plenty of her own body in the film for Beez in the Trap.

However, she appeared to go for a more 'artful' approach at first, kneeling on top of a platform in a pink leotard while wearing a blonde wig.

But she also made sure she injected some of her trademark raunch to the proceedings by provocatively bouncing up and down.

..

It then cuts to her wearing a tiny bikini in a lap dancing nightclub waving a fan of banknotes as she enjoys the salacious atmosphere.

She shows off her famous curvy figure in the video which sees her changing things up on the hair front by wearing a green wig.

There are also inter-cuts of her interacting with some female companions, as well as flashes of semi-naked women writhing around.

Nicki Minaj Talks Lady Gaga Comparison (Annoying) and Wardrobe Malfunctions (Devastating)

Don't call her Gaga Reloaded.

Nicki Minaj, whose performance at the Grammys this year was meant to shock and get people talking (let's see, where have we seen that before...), didn't appear to take kindly during her sit-down with Nightline to questions about the inevitable comparisons made between her and Lady Gaga.

At least, the interviewer certainly seemed to think the comparison was inevitable.

"Offends me, no. Irks me, yes," Minaj said when ABC's Juju Chang asked if the Lady Gaga comparisons do, indeed, offend the similarly flamboyant hip-hop star. "We are in completely different lanes."

"First of all," the "Super Bass" artist said defiantly, "I'm a rapper. I'm from southside Jamaica, Queens. I could say some really crazy lyrics right now, but I won't. Why don't I turn the cameras around and ask you?"

So, Chang, not wanting to point out that Lady Gaga's a native New Yorker, too, mentioned that they both wear wigs.

"Wigs?" Minaj retorted. "Every female in this game—every female in this game—wears wigs."

Um...the clothes, then?

"Over-the-top costumes?" she replied skeptically, making a buzzer sound. "Try again!"

Despite her aversion to being compared to Gaga, however, Minaj had kind things to say about her fellow star.

"Gaga's a fantastic artist, you know, she paved her way," she added. "She's opened her own lane. But I think that I have my own lane, and we never cross. Ever. So, you know, I really don't get the comparison anymore. Our music doesn't sound the same. Our stage presence is not the same. I just can't see the similarities."

A similarity she admits to, meanwhile, is the one between her Good Morning America performance last summer and her appearance on the Today show last week: she suffered nipple-flashing wardrobe malfunctions during both!

"That was devastating," Minaj said. "I feel bad...I always put myself in the parents' shoes when stuff like that happens. But I know that I would never, ever, ever—swear to God—do something like that on purpose."

"Sometimes I want to just pull the off-switch," she said of her rapid ascension up the fame ladder. "But you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' You can't say no."

True. All you can do is load up on the double-sided tape, take a deep breath and walk out that door.

ARE YOU READY FOR NIKI MINAJ AND HER NEW ALBUM ‘CHECK OUT THE REVIEW BY 3m360

When the young rap up-start Nicki Minaj first broke into the scene she seemed to be a package of quick flow, raunchy lyrics, and Lil Kim-inspired sex appeal, all backed by her mentor Lil Wayne’s Young Money record label. After a few mixtapes to flaunt her abilities, her talents impressed many, and after scoring some major features, Minaj was set to be the return of female rap to the Top 40. She definitely made it to the Top 40, but not quite how many were expecting. With her debut album, Pink Friday on the way, many were expecting some hard rap verses and the self proclaimed “bad bitch” Minaj claimed to be to finally master her own territory. To the surprise and disappointment of the Minaj-followers, Pink Friday was very much a pop music affair with the rap being put in the backseat. With the chart topping “Super Bass” and “Fly” Pink Friday was indeed a success but not what the rap fans of Minaj wanted. The rap was there, particularly on “Roman’s Revenge,” easily the most standout track of Pink Friday, in which Minaj takes on her most famous alter ego. Roman Zolanski is essentially the better twin brother of Minaj that was suffocated by too much pop on Pink Friday, he needed to be given more time to shine on some straight rap tracks rather than this pop-rap hybrid. With the announcement of Pink Friday: Roman Reloaded, Minaj’s sophomore follow-up, it seemed Roman was on track for a comeback and the rap may finally be returning, correcting the mistake that made Pink Friday so painfully average. Roman Reloaded so obviously surpasses Pink Friday in nearly every way it’s almost embarrassing. This is not to imply that Roman Reloaded is a magnificent album, it isn’t, but it accomplishes everything that Minaj could want to do and all of her fans, whether it be the rap fans or pop fans, get what they want. The album is very lengthy, being nineteen tracks long and well over an hour, but for an artist like Minaj this is almost necessary, particularly for this mainstream genre meshing she attempts. Throughout the nineteen tracks, the whole thing is broken up into distinct segments with some really awkward transitioning. There is a bookend effect with the opening track, “Roman Holiday” and “Stupid Hoe” both the most thematically Roman-style songs, setting the scene. “Roman Holiday” is very well done opening showing Minaj put on her best angry face on some hard verses and the best “pop” chorus she’s ever done. From there the album transitions into it’s full on rap segment where Roman finally gets what he was deprived of on Pink Friday. In a six-track run, the rap is very consistent and doesn’t let up. Particular standouts include “I Am Your Leader,” echoing back to Minaj’s mixtape origins, “Champion,” a midtempo ode to the ghetto, and “Roman Reloaded,” a loud and clear *** you to those who called Minaj a pop wannabe. The greatest part of Roman Reloaded and debatably the most consistent run of songs Minaj has ever had comes to an unfortunate and abrupt end though when the next segment of the album comes in. The thankfully short, two song run of slow, “sexy” Minaj is encompassed in “Right By My Side” and “Sex In The Lounge.” Both are quite poor songs and Roman is missed greatly already. The Chris Brown feature in particular is shamefully cheesy, and quite frankly these two songs have no business on this album. After that two song run the next segment of the album, the pop segment, almost seems welcomed. The albums second single, “Starships,” is very obviously modeled after the Pink Friday hit, “Super Bass,” but done so much better. The song is not all that good by any means, it is actually quite generic, but in comparison there is no question which is superior. Continuing for four more tracks, Roman is nowhere to be found and Minaj pulls out some pure dance heavy pop tracks showing that she learned a thing or two from touring with Britney Spears and being featured twice on Madonna’s MDNA. Initially the idea of this sounds nauseating, but frankly songs like the hard “Pound The Alarm” and the thumping “Whip It” are better than practically everything on MDNA, and some credit must be given to Minaj if she is capable of surpassing the once Queen of Pop. But unfortunately the album never picks up again after this and with the last thud of “Beautiful Sinner,” the album transitions into sentimental pop that dominated Pink Friday. And it hasn’t improved. “Marilyn Monroe,” “Young Forever,” and “Fire Burns” are all extraordinarily cheesy ballads that are easily skipped but honestly fairly expected to be present on a Minaj album. Then of course the album closes with “Stupid Hoe,” the one everyone has probably heard before, and the last resurfacing of Roman Zolanski. The song, while quite poor with the ear splitting off key wail midsong, it does provide a great tone for the closing of such an album. If you can look past the horrendous album cover, the rough filler tracks (Right By My Side, Young Forever, and more) there is something to be enjoyed about Pink Friday: Roman Reloaded. Roman finally gets his time in the light, and the rap segment of this album shows up nearly everything Minaj did on Pink Friday, and even the pop songs halfway through are decently listens. The album is not a work of art at all, but is very much a success. Reloaded is exactly what Pink Friday should have been, this should have been what her debut sounded like.