Don
Jazzy. Remember him? He worked with D’banj and they ran the Mo’Hits
Records together. Suddenly, there was a rupture. In this interview, he
captures life after Mo’Hits.
Did you envisage the break-up?
Obviously,
I would not have seen it coming seven years ago when we started the
company. But a year to the breakup, I saw it coming. We tried as much
as possible to make it work. A lot of things happened even when we had
shows like Koko Concert in Lagos, London and New York. We already had
problems then but we still had to go for the shows and generally put up
a front that all was well when in actual fact, it was not. It is not
like it just happened; it took time because we knew that we had
something very important to save.
What efforts did you make to ensure the partnership didn’t crumble?
Everybody
tried to stop the break-up. If I did not want the company to move on,
why did I travel from here to New York for a D’banj concert? It was a
beautiful thing for Nigeria, Africa and us.
Are you still feeling hurt?
Yes,
it hurt then and it still hurts. It’s not just me, even fans were badly
hit. I remember when I was with a lady friend of mine and we were
supposed to have a meeting. I told her it couldn’t hold because I had
some issues to take care of. I told her Mo’Hits was going to break up
and she started crying. The same way we feel bad about it, is how a lot
of people are going to feel.
Is it true that you asked for separation from the group?
We
were working together and all was going on well. It got to a point
where I looked at the situation and we both decided that it was not
working and we had to move on.
Did Kanye West take on both of you? Many said it was the origin of the problems?
We
were both signed and I am still on that label. My deal with the label
is one of the best deals ever. The deal is still on and I will still be
a part of it until the day I terminate the contract.
So that means you are still working or going to work with Kanye West?
I
am supposed to be in New York now but considering the fact that they
know I have a lot of work to do in Nigeria, I can’t be in two places at
once. I have to finish one before I start any international jobs.
Your new label Mavin Records was a direct result of the break-up…
I
did not think I was going to change the name of my company for any
reason. A month before we launched, I thought that companies go through
rebranding for many reasons. I am supposed to still be the Chief
Executive Officer of Mo’Hits Records and I own it 100 per cent now.
What I did was to just go for a name change. I won’t be the first to do
so. Although Mo’Hits is a name everybody has come to love and accept,
they will love Mavin also.
Are you shopping for a replacement for Dbanj?
I
have not gone to look for anybody that will replace Dbanj and I will
never look for who will replace him. It is not possible! Entertainers
are not the same, just as no two people are the same. I definitely know
there is no way I am going to come across someone who is exactly like
D’banj. He knows how to ride the audience, how to carry them along and
I have watched the industry for many years and know it is going to be
difficult to find someone who is like him.
You brought Tiwa Savage on board…
Even
before the breakup, I have been looking for a female artiste. I have
been talking with Tiwa for a long time. If I did not tell her to leave
Los Angeles and move back home, she would not have come. I have been
very interested in her career. At some point, I knew one day, we were
going to end up working together.
At Mavin, are you still going to take a back seat like you did at Mo’Hits?
Definitely.
I am even going to retreat further. As you all can tell from the new
album Solar Plexus, which we just released, I tried as much as possible
not to sing. I really don’t want to be an artiste. I understand that my
vocal strength only appeals to a small number of people, so I don’t
feel comfortable. I don’t like videos or cameras either. I love being
involved in production. I am going to stick to that. Mavin is going to
be run the way Mo’hits was run but with more expertise. I am going to
get experts, who will take care of certain things. I can’t mix business
and the creative process together. It’s better to have separation of
duties. I have some producers and other artistes in mind that I don’t
intend to make public now. All I would say is that we should look
forward to a very exciting journey.
Your mix tape, Solar Plexus, is like a test run, how would you adjudge the response to it so far?
I
have been releasing tracks for a long time now but I have never got
this number of positive responses. Normally, when we release a track,
we expect to get like 50 or 60 percent positive feedbacks but this one
really shocked me. I don’t know if it’s what you call sympathy votes or
it’s because there are more people who want to listen and see what we
have come up with. Only a few people are criticising us.
Do you miss D’banj?
Definitely I do. I miss him a lot. I got in here today and the first thing I wanted to say was I’m D’banj!
Did
you envisage the break-up?Obviously, I would not have seen it coming
seven years ago when we started the company. But a year to the breakup,
I saw it coming. We tried as much as possible to make it work. A lot of
things happened even when we had shows like Koko Concert in Lagos,
London and New York. We already had problems then but we still had to
go for the shows and generally put up a front that all was well when in
actual fact, it was not. It is not like it just happened; it took time
because we knew that we had something very important to save.What
efforts did you make to ensure the partnership didn’t crumble?Everybody
tried to stop the break-up. If I did not want the company to move on,
why did I travel from here to New York for a D’banj concert? It was a
beautiful thing for Nigeria, Africa and us.Are you still feeling
hurt?Yes, it hurt then and it still hurts. It’s not just me, even fans
were badly hit. I remember when I was with a lady friend of mine and we
were supposed to have a meeting. I told her it couldn’t hold because I
had some issues to take care of. I told her Mo’Hits was going to break
up and she started crying. The same way we feel bad about it, is how a
lot of people are going to feel.Is it true that you asked for
separation from the group? We were working together and all was going
on well. It got to a point where I looked at the situation and we both
decided that it was not working and we had to move on.Did Kanye West
take on both of you? Many said it was the origin of the problems?We
were both signed and I am still on that label. My deal with the label
is one of the best deals ever. The deal is still on and I will still be
a part of it until the day I terminate the contract.So that means you
are still working or going to work with Kanye West?I am supposed to be
in New York now but considering the fact that they know I have a lot of
work to do in Nigeria, I can’t be in two places at once. I have to
finish one before I start any international jobs.Your new label Mavin
Records was a direct result of the break-up…I did not think I was going
to change the name of my company for any reason. A month before we
launched, I thought that companies go through rebranding for many
reasons. I am supposed to still be the Chief Executive Officer of
Mo’Hits Records and I own it 100 per cent now. What I did was to just
go for a name change. I won’t be the first to do so. Although Mo’Hits
is a name everybody has come to love and accept, they will love Mavin
also.Are you shopping for a replacement for Dbanj?I have not gone to
look for anybody that will replace Dbanj and I will never look for who
will replace him. It is not possible! Entertainers are not the same,
just as no two people are the same. I definitely know there is no way I
am going to come across someone who is exactly like D’banj. He knows
how to ride the audience, how to carry them along and I have watched
the industry for many years and know it is going to be difficult to
find someone who is like him.You brought Tiwa Savage on board…Even
before the breakup, I have been looking for a female artiste. I have
been talking with Tiwa for a long time. If I did not tell her to leave
Los Angeles and move back home, she would not have come. I have been
very interested in her career. At some point, I knew one day, we were
going to end up working together. At Mavin, are you still going to take
a back seat like you did at Mo’Hits?Definitely. I am even going to
retreat further. As you all can tell from the new album Solar Plexus,
which we just released, I tried as much as possible not to sing. I
really don’t want to be an artiste. I understand that my vocal strength
only appeals to a small number of people, so I don’t feel comfortable.
I don’t like videos or cameras either. I love being involved in
production. I am going to stick to that. Mavin is going to be run the
way Mo’hits was run but with more expertise. I am going to get experts,
who will take care of certain things. I can’t mix business and the
creative process together. It’s better to have separation of duties. I
have some producers and other artistes in mind that I don’t intend to
make public now. All I would say is that we should look forward to a
very exciting journey.Your mix tape, Solar Plexus, is like a test run,
how would you adjudge the response to it so far?I have been releasing
tracks for a long time now but I have never got this number of positive
responses. Normally, when we release a track, we expect to get like 50
or 60 percent positive feedbacks but this one really shocked me. I
don’t know if it’s what you call sympathy votes or it’s because there
are more people who want to listen and see what we have come up with.
Only a few people are criticising us.Do you miss D’banj?Definitely I
do. I miss him a lot. I got in here today and the first thing I wanted
to say was I’m D’banj!
